preparation for lino print - colour pencil on tracing paper over initial pencil sketch |
I've been tempted to move away from the rather pared-back style I've had of late (see Morston Quay, Pied Wagtail and Oystercatchers) by the verdant lushness of the garden. Encouraged by much of the falling-from-the-sky-wet-stuff and my lassaiz faire attitude to weeding, most parts of the garden are looking pretty crowded, and I do like it that way. I was quite put out the other day when a bloke knocked on the door and offered to cut back my weeds sweeping his point through the cow parsley, self-seeded aquilegia heads and ox eye daisies poking through the tall grasses.
Miraculously in one corner of this chaos I have managed to sustain a small group of artichokes from last year and one has a pretty good choke on it already. This little group have provided the perfect subject for a more complex piece of work. I've photographed and sketched and now have a colour-coded plan (see above) as the basis for a 3-colour print, but I am wondering if I shouldn't tried it in watercolours instead...